ICOSAHYDROPOD
in collaboration with Grashina Gabelmann
site-specific for Anton Kats’ A-Letheia kiosk with Snehta
documenta 14 / Athens
2017
glazed clay bowl, textiles, sound (alpha, delta, theta)

The bowl is being considered as the first tool that allows the possession of an element. Bass frequencies induce different states of consciousness while a fade-in of Michael Sembello’s Gravity almost unveils the secrets of immortality. 

LISTEN TO AUDIO


http://befriending-hyperobjects.one/WATER




PHYSIOPOLIS
site-specific for L’ile du Platais FR
2015
coconut, xerox, gym bag, holographic postcard of moon footprint, keychain flip flop with dolphin painting, speaker, sounds of astronauts singing on the moon


GAIA CAPTCHA
2015
3D pen drawing on acrylics




BACK UP
2013
clay, bench, copper
57 x 28 x 37 cm

installation view:
Preshivers / Museu Geológico de Portugal / Lisbon PT 2013
and MOE / Vienna AT 2014
 




STATUE OF LIMITATION
2013
marker on paper / acrylic glass, pedestal
121 x 50 x 60 cm

installation view: Statue of Limitation, Green Art gallery, Dubai



MIGRAINE MOUNTAINS
2012
acrylglas, print, electronics, hardware
technical support: Przemek Trznadel
56 x 46 cm

Migraine Mountains consists of a mountain landscape which was originally painted in slow-drying oil, matching the geological, non-human time in which mountains form. The painting was digitally transformed into a red/green 3D version and printed onto two superimposed acrylic glass plates. The green layer is motorized and moves in slow circular motion. The piece references the stereoscopic method used to generate spatial depth by assigning a color to each of the brain’s hemispheres.

The moment I ascend the mountain, being exposed to its high altitude, half of my head twinges and distorts my perception of it. The perspective shifts, vanishing points occur within the mineral density, and it becomes so enormous in size that I loose visual grip. I feel an analogy between the shifting plates that created the mountain, and the hemispheric dissonance, accelerated, in my own head.



3D NEVER EXISTED ( SIGN )
2013
clay, plastic, wood, foamboard, acrylics
dimensions variable





GYROS GHOST
2010
in collaboration with Claudia Larcher
metal, wood, plaster, acrylics, motor, led, sound of melting ice
300 x 35 x 35 cm
sound: Andre Castro



KEBAB
2007
in collaboration with Claudia Larcher
metal, textiles, plastic, motor, sound of roasting
dimensions variable
sound: Andre Castro

installation view: Bourouina gallery I Berlin 2010 



FLAMINGO KNOT
2008
stone, metal, wire, plaster, textiles, water bird feathers
dimensions variable



TRAVEL OPPORTUNITY FOR GIRAFFE
2005
canvas cover, zipper, plastic, metal, nylon thread
dimensions variable